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๐“๐Ž ๐‹๐ˆ๐’๐“๐„๐ ๐Ž๐‘ ๐๐”๐˜ ๐๐‹๐„๐€๐’๐„ ๐†๐Ž ๐“๐Ž

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nathanfake.bandcamp.com/album/providence-reworks-part-ii

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ninjatune.net/release/nathan-fake/providence-reworks-part-ii



Nathan Fake is back with the second instalment in his โ€œProvidence: Reworksโ€ series, on this occasion celebrating the talents of Olga Wojciechowska - a Polish composer and multi-instrumentalist whose work drifts between modern classical, experimental and electronic music - and Konx-Om-Pax who recently released his new album โ€œCaramelโ€ on the excellent Planet Mu label.

โ€œI first became aware of Olgaโ€™s music from hearing one of her tracks on a The Wire magazine covermount CD,โ€ explains Nathan. โ€œIt really stopped me in my tracks and hit me quite emotionally so I bought her album.โ€ The two became friends around the time that Nathan was finishing his album โ€œProvidenceโ€ and he shared it with Olga. โ€œI can honestly admit that it awoke me from the creative block which I had been experiencing at that time,โ€ she says. โ€โ€˜HoursDaysMonthsSeasonsโ€™ was imprinted on my memory from the first tones.โ€

Additionally, Konx-Om-Pax contributes a powerful ambient rework of โ€˜DEGREELESSNESSโ€™ that highlights both the beauty and sense of foreboding inherent to its revolving arpeggio. Rounding off the EP are two stellar reworks of โ€˜feelings 1โ€™ and โ€˜REMAINโ€™ by Nathan himself that evolved from the liquid state in which these tracks exist in his live sets - both tougher and resolutely dancefloor-facing, but still delightfully warped in Nathanโ€™s inimitable style.

credits

released September 11, 2017
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